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Tuesday, August 29, 2006
Sound Mirrors
The Athanasius Kircher Society revisits England's sound mirrors: wartime acoustic reflectors used to amplify the sounds of distant Nazi aircraft. For a bit more on the sadly derelict structures, see earlier on BLDGBLOG – or visit The Sound Mirrors Project via the always cool BLDGBLOG
The sound mirrors feature heavily in various projects by art / music / film group Disinformation - the "Antiphony" double CD (packaging features sound mirror photos by Julian Hills from 1996) and "Antiphony Video Supplement" (by film-maker Barry Hale, later retitled "Blackout") which were both published in 1997, with the video being virtually identical to later works by the artists Tacita Dean and Lisa Autogena. The chronology of all these projects is documented in the US art magazine "Cabinet", in an article written by Brian Dillon of the University of Kent, Canterbury.
An "Antiphony Architectural Supplement" was published by Disinformation as a feature in Sound Projector magazine in 1999. A recent press release says that Barry Hale's sound mirror video has been shown at NTT ICC (Tokyo), The Royal College of Art (London), Galerie fur Zeitgenossische Kunst (Leipzig), Schirn Kunsthalle (Frankfurt) and The Dom (Moscow), the Phonotaktik (Vienna) and Sonar (Barcelona) music festivals, a sound art event in a nuclear bunker in Scotland, and exhibited as an installation at The Mac (Birmingham), Quay Arts (Isle of Wight), Wrexham Arts Centre, South Hill Park (Bracknell), Event Gallery (London), Q Gallery (Derby), The Latvian National Museum of Art and The ICA (London).
Politics of Art, National Museum of Contemporary Art, Athens
Spoke at EMST National Museum of Contemporary Art in Athens, Thursday April 7th 2011, as part of the series "Artist meets the audience" for the exhibition "Politics of Art"
Concrete Islands, curated by Elias Redstone and featuring works by Andreas Angelidakis, Iwan Baan, Frederic Chaubin, mounir fatmi and Niklas Goldbach at Analix-Forever Paris.
I spoke at PROqm bookstore as part of the book launching of
Cognitive Architecture from Biopolitics to Noo politics, edited by Deborah Hauptmann and Warren Neidich, 010 Publishers.
The book includes contributions from Andreas Angelidakis, Lisa Blackman, Ina Blom, Felicity Callard, Suparna Choudry, Jordan Crandall, Elie During, Keller Easterling, Lukas Ebensperger, Boris Groys, Janet Harbord, Deborah Hauptmann, Patrik Healy, Maurizio Lazzarato, Daniel Marguilles, Markus Miessen, Yann Moulier Boutang, Warren Neidich, John Protevi, Steven Quartz, Andreij Radman, Philippe Rahm, John Rajchman, Patricia Reed, Gabriel Rockhill, J.A. Scott Kelso, Terrence Sejnowski, Elizabeth Sikiaridi, Jan Slaby, Paolo Virno, Frans Vogellar, Sven-Olov Wallenstein, Bruce Wexler, Charles T. Wolfe.
the Short Ideas workshop, organized by La Ville Rayee at the Ecole des Beaux Arts in paris
at the Architecture Emotionnelle Conference, organized by Barbara Polla, Paul Ardenne and the University of Geneva
3 comments:
very Pink Floyd-ish images don't you think?
totally
The sound mirrors feature heavily in various projects by art / music / film group Disinformation - the "Antiphony" double CD (packaging features sound mirror photos by Julian Hills from 1996) and "Antiphony Video Supplement" (by film-maker Barry Hale, later retitled "Blackout") which were both published in 1997, with the video being virtually identical to later works by the artists Tacita Dean and Lisa Autogena. The chronology of all these projects is documented in the US art magazine "Cabinet", in an article written by Brian Dillon of the University of Kent, Canterbury.
An "Antiphony Architectural Supplement" was published by Disinformation as a feature in Sound Projector magazine in 1999. A recent press release says that Barry Hale's sound mirror video has been shown at NTT ICC (Tokyo), The Royal College of Art (London), Galerie fur Zeitgenossische Kunst (Leipzig), Schirn Kunsthalle (Frankfurt) and The Dom (Moscow), the Phonotaktik (Vienna) and Sonar (Barcelona) music festivals, a sound art event in a nuclear bunker in Scotland, and exhibited as an installation at The Mac (Birmingham), Quay Arts (Isle of Wight), Wrexham Arts Centre, South Hill Park (Bracknell), Event Gallery (London), Q Gallery (Derby), The Latvian National Museum of Art and The ICA (London).
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