Modelos Para Armar: An Abbreviated Tour

MODELOS PARA ARMAR Pensar Latinoamérica desde la Colección MUSAC,

 featuring works by Carlos Amorales , Alexander Apóstol, Julieta Aranda, AVAF, Fernando Bryce, Erick Beltrán, Iñaki Bonillas, Tania Bruguera, François Bucher, Luís Camnitzer, Raimond Chaves, José Damasceno, Dr. Lakra, Matías Duville, Sandra Gamarra, Carlos Garaicoa, Mario García Torres, Diango Hernández, Juan Fernando Herrán, Federico Herrero, María Teresa Hincapié, Leonilson, Jorge Macchi, Gilda Mantilla, Gilda Mantilla y Raimond Chaves, Teresa Margolles, Hernán Marina, Ana Mendieta, Mujeres Creando, Óscar Muñoz, Rivane Neuenschwander, Damián Ortega, Álvaro Oyarzun, Nicolás París, Jorge Pineda, Caio Reisewitz, Rosângela Renno, Pedro Reyes, Miguel Ángel Rojas, Martín Sastre, Melanie Smith y Rafael Ortega, Valeska Soares, Javier Téllez, Meyer Vaisman , Carla Zaccagnini, 

and 

curated by Agustín Pérez Rubio, María Inés Rodríguez, Octavio Zaya 

opened this past weekend at MUSAC. 

Angelidakis studio was responsible for the layout of the exhibition, 

continuing our ongoing project of making architecture with exhibition walls.  

Damien Ortega y the great Meyer Vaisman

the spaces starts without any architectural intervention, since the works themselves offer a brief panorama of Model Kits: The Favela, The City, the Industry, the Car, the Metaphysical, the Labyrinth.

Jorge Macchi 

Pedro Reyes

followed by Oscar Munoz

leading through awkward spaces
 

to a bright oval room for Ana Mendietas' simulated violence

walls pushed to reveal openings

Fernando Bryce's Kolonial Post installed in a jungle of column walls

Eric Beltran

up a path between small rooms that leads to the smallest superwhite room

 containing Leonnilsons' Sua montanha interior protetora and 3 more fantastic works

from a little window you can see Valeska Soares

and a great piece by Carla Zachagnini that involves a series of stamps made from texts on Latin America, which have appeared in the local press. Everybody at Musac will use these stamps over the coming months to infiltrate the piece out to the world.

stepping outside to Federico Herrero's Patio (Musac)

Alvaro Oyarzun and Rivane Neuenschwander

leading to white room in a jungle 

Raimond Chaves y Gilda Mantilla with plants coming in from the outside

great Avaf outside

which is just another inside

Diango Hernandez

Matias Duville (observed by Mr Bryce and Mr Apostol)

low ceiling reading rooms

  and back to the beginning of 

Meyer Vaisman's Vedre por fuera, rojo por dentro (el armario del mis padres)