While in Naxos, we mostly hung out at a beach called Hawaii (no less) which is right next to a never-completed hotel complex from the early 70's The sun shines through assymetrical arches and forests of double arches and general concrete mayhem happiness through to the sea and for sure sexy at night almost falling apart rooms with perfect summer lighting and cracks in the ceiling complete the perfection
This past summer Google launched its Virtual Worlds portal Lively. It was supposed to be the big entrance to the 3D internet, though it was launched ever so discreetly. It looks like the Sims. Somehow they decided I should be a bored teenage girl, though I'm afraid its just too late for that. Then I was "feeling lucky" on the avatar tab, but I became a wigger (as in Eminem, white nigger, not happening) Finally I saw a place called "cave" and I thought, thats were I'm going. It ended up being as cliche as anything. With Second Life having turned into the boondocks of the internet, and Lively really not lively at all, is there hope for an online 3D experience?
We missed all the caves in Naxos, but we saw a huge ancient door
that when you pass through, you find yourself where you were
up on a mountain there were some runaway rocks a building made of plastic and tires a marble explosion whose scale we only realized when we got closer (look for the trucks) some funny formations Aristides' Pink and Silver tower a Hellenistic Round tower which was hollow insideand sometimes dangerous
We had to walk (and climb!) for an hour and a half in the blistering heat to get to the super-spooky Irakleia cave, apparently the largest cave in the Aegean...
when we asked the locals how big the cave is, they said they dont now, because nobody has reached the end or maybe nobody came back? there were spots to light candles, and as we walked we lit them to find our way back all you could see was darkness I had to keep taking pictures with flash to see where we were going finally it was too spooky and we went back out
We had been to Antiparos a few times, and had passed by a sign indicating the way to the"cave", though we always passed it by. This time we decided to visit
when you enter the stalagmites and stalactites look great, and everything is lit with a quasi yellow light.. then the cave looks like it continues forever (the stainless steel railing is unfortunately very Dubai airport) and suddenly opens up to huge vertigenous underground halls
and you pass these great caves and the path continues further down
and you realize that you are in an incredible underground masterpiece
Politics of Art, National Museum of Contemporary Art, Athens
Spoke at EMST National Museum of Contemporary Art in Athens, Thursday April 7th 2011, as part of the series "Artist meets the audience" for the exhibition "Politics of Art"
Concrete Islands, curated by Elias Redstone and featuring works by Andreas Angelidakis, Iwan Baan, Frederic Chaubin, mounir fatmi and Niklas Goldbach at Analix-Forever Paris.
I spoke at PROqm bookstore as part of the book launching of
Cognitive Architecture from Biopolitics to Noo politics, edited by Deborah Hauptmann and Warren Neidich, 010 Publishers.
The book includes contributions from Andreas Angelidakis, Lisa Blackman, Ina Blom, Felicity Callard, Suparna Choudry, Jordan Crandall, Elie During, Keller Easterling, Lukas Ebensperger, Boris Groys, Janet Harbord, Deborah Hauptmann, Patrik Healy, Maurizio Lazzarato, Daniel Marguilles, Markus Miessen, Yann Moulier Boutang, Warren Neidich, John Protevi, Steven Quartz, Andreij Radman, Philippe Rahm, John Rajchman, Patricia Reed, Gabriel Rockhill, J.A. Scott Kelso, Terrence Sejnowski, Elizabeth Sikiaridi, Jan Slaby, Paolo Virno, Frans Vogellar, Sven-Olov Wallenstein, Bruce Wexler, Charles T. Wolfe.
the Short Ideas workshop, organized by La Ville Rayee at the Ecole des Beaux Arts in paris
at the Architecture Emotionnelle Conference, organized by Barbara Polla, Paul Ardenne and the University of Geneva