I was always somehow fascinated by the work of Kevin Roche and John Dinkeloo
this popped up in a book on minimalism. Not sure what to think here
clouds and mountains and buildings and theory and art and websites and trees and people and
I was always somehow fascinated by the work of Kevin Roche and John Dinkeloo
this popped up in a book on minimalism. Not sure what to think here
starting off from the airport with a simple grey cave
with the occasional screen of course
moving on to Stadshuset, getting all theatrical with abandoned bombs
and faux structures emerging thru the faux rock
yellow mysteries
Radhuset with white faux cracks
and ending up in Fridhemsplan,
plus the prerequisite inexplicable object
and a wooden seagull (why?) flying through clouds of green spray paint.
I was randomly looking for Herbert List pictures
at the Palazzo del Te
and from there somehow to Dutch painter Carel Willink
This past weekend in Limassol
we passed the gates of orange juice
to soda-bottle Parthenons
enchanted forests in hotel lobbies
Dorothy's white brick road
to bunker 80's beach resorts
whose logos resemble castles or letters
we looked at sea platforms
and more resorts
and white walls
and minarets that always look like rockets
the legendary "dog" performance by Oleg Kulig (Interpol, Fargfabriken 1996), during which he attacked members of the audience, sending some of them to the hospital with real bites.
Annika Larsson POLIISI
great wall drawing by Jesper Waldersten
Francois Roche R&Sie Architects
Tobias Bernstrup and Mai Ueda performed
view of the space
explosive tube fire by Carsten Nicolai
parallel to the exhibition, the was the New World Bank conference,
which brought to Ostersund Malcolm MacLaren, Noreena Hertz, Daniel Birnbaum, Bill Liao, Veronica Valk, yours truly, and many more
opening crowds
great Natalie Djurberg
Angelo Plessas
I wanted the the place to be like a bombed out ruin, but thats not so possible when you have to inlcude more than a 100 works..
we included a model of the design in the show, and I'm hoping for future ruinations
and the super cool catalogue
Featuring an original essay by Yorgos Tzirtzilakis,