
Havent been posting because I'm in Venice for the Architecture Biennale. In the meantime check out the VeniceSuperBlog by the lovely people at MOMA.
clouds and mountains and buildings and theory and art and websites and trees and people and

This past weekend I bought a little piece of land in Solbim, on the mainland of Second Life (if you want to visit, the coordinates are 128, 128, 0) . The plot is between two houses, so just enough room to try out the building tools and make a little demo house for Angelo and me. So naturally I went for inverted leopard rhomboids with arrow graffiti interiors, just as a base for building on.
The next door neighbors came over, and I thought I was happy to meet them, instead I got : "whats this - this is ugly- can u please delete it? - now, yuk yuk" etc etc. Apparently they both hated the Leopard, thought it vomitrocious, and one of them even wanted to get into a fight. The neightbor to the east put up a wall of forest so as to not see my house, and the one on the side demolished his house and put the plot up for sale. So much for feeling at home on the internet.
All this was semi fun of course, but it brings us to the real Carrie Bradshaw: Is a Leopard wall less fitting for a building than a exposed concrete wall, and arent they all just texture maps? Can we consider one material to be authentic and correct and another one kitch or just wrong? When are they going to invent photoprint concrete so everything can be texturemapped everywhere and nothing be tha same again?

Been thinking about Leopard Buildings recently, ever since the Polygon Housing project, and today I was browsing the Diane Pernet blog, and I saw these super cute photos of The Leopard Cube.
The Leopard Cube by Konst2 is a an exhibition space at Tensta Konsthall in Stockholm. Who would have thought it was so simple to find and alternative to the white cube. 
The Athanasius Kircher Society revisits England's sound mirrors: wartime acoustic reflectors used to amplify the sounds of distant Nazi aircraft.
For a bit more on the sadly derelict structures, see earlier on BLDGBLOG – or visit The Sound Mirrors Project
via the always cool BLDGBLOG
A room with upsidedown columns and water tanks?
A wall of concrete fragments stuck in a web of metal?
with a roof for strange rock ceremonies?
Still the view is fabulous and people swim around there even though this is quite close to Athens.
Anafi has the second largest rock of the mediterranean, after Gibraltar. On it are two Christian Orthodox monasteries, one accesible by road and the other by hours of walking on the super scary rock. Needless to say we skipped the scary one and had a look at the first, which rests where the rock meets the mountain.
The view from the eastern edge of the island is awesome, and my friend Nikko told me that it's possible to access these beaches and even spend the night. He also did the scary route years ago, before Anafi was popular with tourists such as myself. Anyway, the Monastery is built on top of an ancient greek temple of sorts, as a lot of the Byzantine era churches were.
In fact the christians were responsible for the major destruction of the ancinet greek heritage.
Total 18th century beauty, I felt part of the Grand Tour indeed.
Cant' seem to be able to stop posting these days, probable because I'm finally at an internet connection and also seeing tons of beauty around. Everything seems to be about island architecture, and funny enough the Greek Pavilion at this years' Venice Biennale will be about the Aegean, and even though I'm not at all involved with that, it will be interesting to see what its all about. Right now we're in Paros staying with Eleni and Joanna, and on the way to the so-called gay beach Laggeri (more on this later) we passed by this amazing hotel.
Another cosmic coincidence: The Hotel was designed by their dad Makis Kostikas in 1967. It is a rare deviation from the vernacular modernism as established by Aris Konstandinidis, who designed most of the hotels of the period and reigned the island tourist landscape as head architect of the Ministry of Tourism.
The Hippocampus Hotel is a kind of Metabolist Greek Island thing, which hints at a possible direction the islands could have gone into: Treated as the supernatural lunar landscape that they really are, and given a heavy dose of Science Fiction Architecture.
A Jules Verne monster on a hot white roof;
A stair that leads to nowhere;
A wannabe-muslim christian church poured right out of the ice-cream machine;
a post-modern roofie gone a bit weird,
and weirder,
and a little white nightmare suffering from the recent trend of buildings spotted with stones (?)
I'm wondering Who designs these boats and what the idea is? In the Greek summer you end up spending tons of times in these things, especially if you island hop.
The look is casino interiors combined with a strange machine aesthetic, they try to look like they're not on the water. Sometimes they're interesting, sometimes boring and sometimes they look better upside-down.


Santorini is one of those greek islands that have become so polular its actually scary. The whole island is built up in a totally random and uncaring way, full of buildings that are actually garbage. The view towards the volacano is of course fantastic blah blah blah, and funnily enough the most beautifull spot on the island is a garbage dump with a spactacular view. Part of the dump is used as a moto-cross training track and there seems to be an abandoned factory on the side. The slopes towards the dump look like giant earthwoks, sort of like Michael Heizers' Double Negative in Grand Canyon but with a fabulous view of the Aegean.
The vernacular architecture is a kind of tubular-dome thing which I think was originally derived from the excavated houses that were easy to build inside the lava.
Now they just copy the tubular dome in concrete, in a kind of pre-fabricated architecture that is cast in place but pre-designed. Some good examples of this exist in the National Bank complex in the main city,
a relic from the 60's when Greece invented it's own brand of vernacular modernism otherwise know as critical regionalism.
If I wasnt on vacation and in a crappy little internet cafe, I'd write tons more on this, but this funny photo of a too-thin-to-inhabit tubular domino will have to say the rest.

The main consensus is that everybody tries to recreate a kind of island/village architecture with very mixed results. It is most interesting in rich peoples' homes because they use rough materials like huge wodden boards au naturel but then to make it look expensive, everything is totally manicured and basically all varnished with a transparent coat of euros. The result is pure Disneyland, full of extremely artificial looking nature. The rest of the island is full of half finished concrete mini-dominos' that become boring when finished.
Still the light and the sea is very pretty blah blah blah and also I got a cold and that's why I'm posting.
Erwin Wurms' amazing Fat House from an exhibition somewhere,
A poor christmas decoration
and an ominous looking light at a generic expo center in whateverville.
I missed a lot of really great Golden Mirror buildings on the way from the airport. I've seen these tons of times but yesterday they looked extra good, and I had my camera in the trunk of the taxi because I'm too lazy to carry anything.
There were some hazy horizons after that, and a nice skylight this morning.