clouds and mountains and buildings and theory and art and websites and trees and people and
Sunday, December 27, 2009
Theodor Kittlesen
Kind of obsessed with Theodor Kittelsen, popular Norwegian artist, famous for painting Nature, Fairies and especially Trolls
Saturday, December 19, 2009
Monday, December 14, 2009
Bunker Flowerpots and other miracles by Lina Bo Bardi
Spent a perfect Sunday morning leafing through Olivia de Oliveira's
classic Lina Bo Bardi monograph
we've blogged about Bo Bardi before
but what struck me now was the quite eccentric Chame-Chame house
basically a Bunker Flowerpotbuilt in Salvador in Bahia in the 60s and demolished (RLY?) in the 90s
arranged around an existing tree that Lina loved
this became her later style
kind of culminating in the miraculous MASPI where paintings
were iconicaly hung on a plexiglass sheet supported by a concrete block
Lina hung out a lot with all the artits of the period
and was especially inspired by the great Helio Oiticica.
According to Oliveira,
Lina translated Oiticica's Crelazer concept (creative inactivity! our favourite!)
into the Maspi void, an urban space where activity was not prescribed,
but people could just hang around waiting for nothing
Another important Oiticica concept that Lina translated into architecture was of course the Parangole , the fabric that could provide shelter. Lina used curtains and drapings as Parangole, even dressing up columns in tropical fabrics. In the back , a tree column
and a Tree skyscraper
a Cyclopean wall with flowerpots, a design intended for the fantastic Sesc de Pompeia
and a pyramid chair.
For more Bo Bardi,
head over to Mr Pablo De La Barra's Blog
the Centre for Aesthetic Revolution
classic Lina Bo Bardi monograph
we've blogged about Bo Bardi before
but what struck me now was the quite eccentric Chame-Chame house
basically a Bunker Flowerpotbuilt in Salvador in Bahia in the 60s and demolished (RLY?) in the 90s
arranged around an existing tree that Lina loved
this became her later style
kind of culminating in the miraculous MASPI where paintings
were iconicaly hung on a plexiglass sheet supported by a concrete block
Lina hung out a lot with all the artits of the period
and was especially inspired by the great Helio Oiticica.
According to Oliveira,
Lina translated Oiticica's Crelazer concept (creative inactivity! our favourite!)
into the Maspi void, an urban space where activity was not prescribed,
but people could just hang around waiting for nothing
Another important Oiticica concept that Lina translated into architecture was of course the Parangole , the fabric that could provide shelter. Lina used curtains and drapings as Parangole, even dressing up columns in tropical fabrics. In the back , a tree column
and a Tree skyscraper
a Cyclopean wall with flowerpots, a design intended for the fantastic Sesc de Pompeia
and a pyramid chair.
For more Bo Bardi,
head over to Mr Pablo De La Barra's Blog
the Centre for Aesthetic Revolution
Wednesday, December 09, 2009
Monday, December 07, 2009
Saturday, December 05, 2009
i-tə-ˈrā-shən
Iteration means the act of repeating a process usually with the aim of approaching a desired goal or target or result. Each repetition of the process is also called an "iteration", and the results of one iteration are used as the starting point for the next iteration.
A pentagon iteration. Connecting alternate corners of a regular pentagon produces a pentagram which encloses a smaller inverted pentagon. Iterating the process produces a sequence of nested pentagons and pentagrams.